Next morning I was again in the car as I received a message from the ticketing company. I could not read the message properly but caught the words "due to health problems" within the message. My first reaction was to think that Mr. Subotnick was sick and not going to manage to be on the stage. After a careful reading I understood that it was Alec Empire who had actually been sick and would not be able to participate his colleague tonight on stage. It was disappointing because I was really wondering what an incredible duo they would make but I am sure there will be other shows to watch somewhere in the world one day. In the meantime I must say that Morton Subotnick looks and performs like he is 60 years old max...
A short interview with Morton Subotnick
I can easily claim that he is one of the founding fathers and still a living legend of electronic music. Before that he was playing the clarinet and being trained to become a classical music composer. At some point of his younger years, he was a student of Darius Milhaud, one of the most prolific composers of the 20th century. I do not know if he had such a huge impact on Subotnick, but after his studies with him, Subotnick began to search new sounds that could not be achieved with conventional instruments, at least through their usual playing techniques. That is how he met the great synth designer Don Buchla, in order to create one of the first analogue synthesizers in the world, Buchla Series 100.
Subotnick always viewed his musical expressionism similar to a painter or a sculptor. He always searched opportunities to use musical sounds as a canvas. In recent years he also developed an Ipad app for kids that teach music via drawing and colors.
Subotnick |
Attracted to the "other" sounds maybe caused him quit his classical clarinetist and composer career but in exchange he became a true pioneer of electronic music.
And about tonight's concert. As I mentioned above, Alec Empire was absent due to a severe allergic reaction as told by the visual artist of the night, Lillevan. Most probably this caused a slight change in the program but whatever the change was, the music and the ambiance was terrific.
Subotnick's setup for the night |
After the performance |
For me, it was really an experience, an experience that the artists beamed the audience up to another galaxy. The stereo effects were so well designed one could easily argue that the performance was plugged at least to 5 channels. The sounds designed by Subotnick on his Buchla modular were ethereal and sensory. It was more like a trip guided by the sounds and visuals.
The performance allowed me to forget the outside world and really took me in for a brief journey to somewhere mystique.
First, Subotnick played his masterpiece Silver Apples of the Moon from 1967 and then another composition of his, which he told was still in progress and he did not know if he was going to be able to finish it. Regarding the "Silver Apples" piece, he told the audience that it was never intended to be played live on stage and it was only meant to be a commissioned recording for people to enjoy on their stereo systems, but since it was the 50th year of the recording he decided to go on tour and perform it for one last time.
Here is a video clip of the duo's performance from 2010 in Austria.
And yes my son is still talking to me, but I am not sure if he had wished to have stayed at home and studied for his exams...If you ask me, he is happy inside to have experienced such a beautiful inter-galactic journey but he just doesn't know it yet. Don't forget that introducing new things to kids always pays back in one way or the other...
Let's finish with a short clip from tonight's performance.
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